Noli Timere, Dance #3, 2025
McCarter Theatre, Princeton, NJ; braided fiber, programmed LED lighting, and live original music with eight dancers; 30 × 40 × minimum height 24 ft.

Noli Timere, Dance #2, 2024
PS21, Chatham, NY; knotted and braided high-tenacity nylon and polyester, programmed LED lighting, and live original music with eight dancers;
35 × 35 × minimum height 24 ft.

Butterfly Rest Stop, 2024
Kaleidoscope Park, Frisco, TX; hand-spliced UHMWPE, knotted and braided high-tenacity nylon and polyester, steel masts, six 40-ft3 concrete foundations, programmed LED lighting, DMX controller, 3,384 pollinator-supporting plants, and sky; 190 × 126 × 66 ft.

Noli Timere, Sculpture #1, 2023
Palazzo del Senato, Milan, Italy; hand-spliced UHMWPE, knotted and braided high-tenacity nylon and polyester, programmed LED lighting, DMX controller, historic architecture, custom-built reflection pool; 88 × 42 × 29 ft.

Noli Timere, Dance #1 (Everywhere the Edges), 2023
Montreal, Canada; knotted and braided high-tenacity nylon and polyester, programmed LED lighting and sound, with eight dancers;
35 × 35 × minimum height 24 ft. 

Earthtime 1.26 Wadi Namar, 2023
Riyadh, Saudi Arabia; hand-spliced UHMWPE, knotted and braided high-tenacity nylon and polyester, programmed LED lighting, DMX controller, steel trusses, Arabic majlis sofas, desert wadi, and sky;
88 × 42 × 29 ft.

Current, 2023
Gay Street and High Street, Columbus, OH; hand-spliced UHMWPE, knotted and braided high-tenacity nylon and polyester, programmed LED lighting, DMX controller, historic architecture, roadway, and sky;
229 × 88 × 147 ft.

Study (Butterfly Rest Stop 1/9 scale), 2022
Chiostro del Bramante, Rome, Italy; hand-spliced braided UHMWPE, knotted and braided high-tenacity nylon, programmed LED lighting, DMX controller, and historic architecture; 24 × 13 × 13 ft.

Enfold, 2022
Private collection, Hill House Montecito, CA; knotted and braided high-tenacity nylon, welded stainless steel armature, shaped architectural acoustic panel, programmed LED lighting, and DMX controller;
53 × 41 × 17 ft.

Earthtime 1.78 Milan, 2022
Piazza Gae Aulenti, Milan; hand-spliced UHMWPE, knotted and braided high-tenacity nylon and polyester, programmed LED lighting, DMX controller, architecture, reflection pool, and sky; 145 × 115 × 37 ft.

Earthtime 1.26 Milan, 2022
Biblioteca degli Alberi park, Milan; hand-spliced UHMWPE, knotted and braided high-tenacity nylon and polyester, programmed LED lighting, DMX controller, park, and sky; 142 × 90 × 39 ft. 

Earthtime 1.8 Perth, 2021
Supreme Court Gardens, Australia; hand-spliced braided UHMWPE, knotted and braided high-tenacity nylon, programmed LED lighting, DMX controller, steel trusses, park, and sky; 248 × 172 × 49 ft.

Earthtime 1.78 Vienna, 2021
MuseumsQuartier, Vienna; hand-spliced braided UHMWPE, knotted and braided high-tenacity nylon, cables piercing terra-cotta roof tiles in historic architecture with temporary ballast, steel truss, programmed LED lighting, DMX controller, and sky; 220 × 330 × 60 ft.

Earthtime 1.78 Helsinki, 2021
Senate Square, Finland; hand-spliced braided UHMWPE, knotted and braided high-tenacity nylon, steel trusses, wind sensor, underwater microphones, speakers, responsive LED lighting, DMX controller, and sky; 209 × 180 × 55 ft.

Earthtime 1.78 Borås, 2021
Stora Torget Plaza, Sweden; hand-spliced braided UHMWPE, knotted and braided high-tenacity nylon, steel trusses, programmed LED lighting, DMX controller, historic architecture, and sky;
145 × 115 ft. × variable height

Earthtime 1.26 Munich, 2021
Odeonsplatz, Germany; hand-spliced knotted UHMWPE, knotted and braided high-tenacity nylon, steel trusses and ballast, programmed LED lighting, and DMX controller, above temporary green-roofed amphitheater; 113 × 68 × 52 ft.

Earthtime 1.26 Jeddah, 2021
Jeddah Corniche, Saudi Arabia; hand-spliced knotted UHMWPE, knotted and braided high-tenacity nylon and polyester, steel masts, concrete foundations, programmed LED lighting, DMX controller, and sky;
117 × 102 × 50 ft.

Without Beginning Middle or End, 2020
Private collection, Karuna Sindhu, Mumbai, India; hand-spliced UHMWPE, knotted and braided high-tenacity nylon, carbon fiber armature, programmed LED lighting, DMX controller, and architecture;
50 × 43 × 14 ft.

Earthtime Korea, 2020
Alleyway Gwanggyo, South Korea; hand-spliced braided UHMWPE, knotted and braided PTFE, steel, programmed LED lighting, DMX controller, architecture, and sky; 172 × 159 × 48 ft.

Bending Arc, 2020
St. Pete Pier, St. Petersburg, FL; hand-spliced braided UHMWPE, knotted and braided PTFE, steel masts, concrete foundations, programmed LED lighting, DMX controller, and sky; 424 × 374 × 72 ft.

Earthtime 1.8 Green Mountain Falls, 2019
Gazebo Lake, Green Mountain Falls, CO; hand-spliced UHMWPE, knotted and braided high-tenacity nylon, steel, programmed LED lighting, DMX controller, water, and sky; 145 × 115 ft. × variable height

Earthtime 1.78 Beverly Hills, 2019
Suspended over Santa Monica Boulevard, Beverly Hills, CA; hand-spliced UHMWPE, knotted and braided high-tenacity nylon, steel trusses, programmed LED lighting, DMX controller, roadway, and sky;
145 × 115 ft. × variable height

Earthtime 1.26 Hong Kong, 2019
Peninsula Hotel, Hong Kong; hand-spliced UHMWPE, knotted and braided high-tenacity nylon, steel trusses, programmed LED lighting, DMX controller, and historic architecture; 157 × 109 × 130 ft.

Pulse, 2018
Dilworth Plaza, Philadelphia; atomized water particles, air handlers, bronze grating, programmed LED lighting, DMX controller, and sensors; 60 × 230 × 5 ft.

Possible Futures of a Line, Traveling through Space and Time, 2018
US Embassy, Jakarta, Indonesia; knotted and braided polyester and steel armature; variable dimensions

Earthtime 1.78 Madrid, 2018
Plaza Mayor, Spain; hand-spliced UHMWPE, knotted and braided high-tenacity nylon, steel trusses, programmed LED lighting, DMX controller, historic architecture, and sky; 145 × 115 ft. × variable height

Earthtime 1.78 Dubai, 2018
Dubai Fountain, UAE; hand-spliced UHMWPE, knotted and braided high-tenacity nylon, steel trusses, programmed LED lighting, DMX controller, water, and sky; 145 × 115 ft. × variable height

Target Swooping Austria, 2017
Freiheitsplatz, Graz, Austria; hand-knotted and braided high-tenacity nylon, steel trusses, crane, programmed LED lighting, and DMX controller; 140 × 130 × 213 ft.

Possible Futures of a Line, Traveling through Space and Time, 2017
Cheongju Craft Biennale, South Korea; knotted and braided polyester, injection-dyed carpet made from recycled netting, and programmed LED lighting; variable dimensions

Earthtime 1.8 Mexico City, 2017
Centro Cultural del México Contemporáneo, Mexico; hand-spliced UHMWPE, knotted and braided high-tenacity nylon, steel trusses, programmed LED lighting, DMX controller, and sky; 100 × 45 × 36 ft.

Earthtime 1.8 Beijing, 2017
Solana Light Festival, Beijing, China; hand-spliced UHMWPE, knotted and braided high-tenacity nylon, steel trusses, programmed LED lighting, DMX controller, and sky; 150 × 131 × 55 ft.

Earthtime 1.26 Shanghai, 2017
The Hub, Hongqiao district, Shanghai, China; Spectra fiber, knotted and braided high-tenacity polyester, programmed LED lighting, DMX controller, and sky; 221 × 162 × 59 ft.

Dream Catcher, 2017
Sunset Boulevard at La Cienega Boulevard, West Hollywood, CA; hand-spliced and braided UHMWPE, PTFE, programmed LED lighting, DMX controller, steel hardware embedded in concrete floor slabs, and sky; 47 × 110 × 110 ft.

Where We Met, 2016
LeBauer Park, Greensboro, NC; hand-spliced braided UHMWPE, knotted and braided high-tenacity nylon and polyester, steel pylons embedded with winch system, fixed LED lighting, and sky; 200 × 130 × 58 ft.

Possible Futures of a Line, Traveling Through Space and Time, 2016
Church of San Francesco, Como, Italy; knotted and braided polyester, injection-dyed carpet made from recycled netting, and programmed LED lighting;
18 × 18 × 16 ft.

Earthtime 1.8 San Diego, 2016
Embarcadero Marina Park South, CA; hand-spliced UHMWPE, knotted and braided high-tenacity nylon, steel trusses, concrete ballast, programmed LED lights, and sky; 185 × 185 × 50 ft.

Earthtime 1.8 London, 2016
Oxford Circus, UK; hand-spliced UHMWPE, knotted and braided high-tenacity nylon, steel trusses, Wi-Fi and interactive computer programming, mobile phone interface, projectors, LED lighting, DMX controller, and sky; 180 × 180 × 70 ft.

Earthtime 1.26 Chile, 2016
Museo Nacional de Bellas Artes, Santiago, Chile; Spectra fiber, knotted and braided high-tenacity polyester, programmed LED lighting, DMX controller, and sky; 235 × 167 ft. × variable height

Earthtime 1.26 Montreal, 2015–17
Quartier des Spectacles, Montreal, Canada; Spectra fiber, knotted and braided high-tenacity polyester, programmed LED lighting, DMX controller, and sky;
417 × 165 × 110 ft.

Impatient Optimist, 2015
Bill & Melinda Gates Foundation, Seattle, WA; hand-spliced UHMWPE, knotted and braided PTFE, high-tenacity nylon, high-tenacity polyester, programmed LED lighting, DMX controller, architecture, and sky; 300 × 175 × 55 ft.

Earthtime 1.8 Renwick, 2015
Renwick Gallery, Smithsonian American Art Museum, Washington, DC; hand-spliced UHMWPE, knotted and braided high-tenacity polyester, programmed LED lighting, DMX controller, injection-dyed carpet made from recycled netting, and sewn textile filled with closed-cell beads on floor; 100 × 40 × 40 ft.

Earthtime 1.26 Prague, 2015
Jan Palach Square at Rudolfinum, Czech Republic; Spectra fiber, knotted and braided high-tenacity polyester, programmed LED lighting, DMX controller, and sky; 250 × 150 × 50 ft.

Earthtime 1.26 Durham, 2015
Suspended above the River Wear, Durham, UK; Spectra fiber, knotted and braided high-tenacity polyester, programmed LED lighting, DMX controller, and sky; 240 × 90 × 46 ft.

As If It Were Already Here, 2015
Rose Kennedy Greenway, Boston, MA; spliced braided UHMWPE (ultra-high-molecular-weight polyethylene), braided high-tenacity polyester, programmed LED lighting, DMX controller, architecture, and sky;
600 × 360 × 300 ft.

Skies Painted with Unnumbered Sparks, 2014
Vancouver waterfront, Canada; hand-spliced braided Spectra fiber, knotted and twisted high-tenacity nylon, braided high-tenacity polyester, mobile phone interface, Wi-Fi, interactive computer programming, projectors, LED lighting, DMX controller, and sky;
745 × 475 × 175 ft.

Earthtime 1.26 Singapore, 2014
The Float at Marina Bay, Singapore; Spectra fiber, knotted and braided high-tenacity polyester, programmed LED lighting, DMX controller, artificial turf, and sky; 285 × 200 × 80 ft.

A. Memory, 2014
Collaboration with the Stuttgart Ballet, Germany; knotted and braided high-tenacity polyester and lighting attached to ballet dancers’ bodies; variable dimensions

Allegory, 2014
Matthew Knight Arena, University of Oregon, Eugene; braided polyester with hand-knotted lace patterning, metal halide lighting, and motion sensors;
82 × 34 × 30 ft.

The Space Between Us, 2013
Santa Monica Beach, CA; sculpted sand, spliced and braided high-tenacity polyester, knotted and twisted high-tenacity nylon, steel trusses, programmed LED lighting and sound, DMX controller, and sky;
220 × 170 × 60 ft.
Earthtime 1.26 Amsterdam, 2012
Suspended over the Amstel River and attached to City Hall and the Muziektheater, Netherlands; Spectra fiber, knotted and braided high-tenacity polyester, programmed LED lighting, DMX controller, and sky; 230 × 140 × 30 ft.

Every Beating Second, 2011
Terminal 2, San Francisco International Airport, CA; powder-coated steel, fiber, skylights, terrazzo floor, programmed airflow, and LED lighting; net 1: 33 × 39 × 19 ft.; net 2: 30 × 35 × 22 ft.; net 3: 18 × 18 × 19 ft.; overall: 177 × 39 × 22 ft.

Earthtime 1.26 Sydney, 2011
Sydney Town Hall over George Street, Australia; Spectra fiber, knotted and braided high-tenacity polyester, programmed LED lighting, DMX controller, and sky; 170 × 140 × 60 ft.

Earthtime 1.26 Denver, 2010
Denver Art Museum, CO; Spectra fiber, knotted and braided high-tenacity polyester, LED lighting, roadway, and sky; 130 × 140 × 135 ft.

Water Sky Garden, 2009
Richmond Olympic Oval, BC, Canada; knotted PTFE fiber “sky lanterns” suspended from painted galvanized steel armatures, red-stained cedar boardwalk, aeration system for “water drawing,” LED lighting, and sky; east net: 84 × 160 × 73 ft.; north net: 65 × 122 × 69 ft.; length of boardwalk: 725 ft.; overall: 75,000 sq. ft.

Her Secret Is Patience, 2009
Civic Space Park, Phoenix, AZ; hand-spliced high-tenacity polyester, steel, programmed lighting (originally metal halide, replaced with LED, and sky); 353 × 289 × 145 ft. 

Expanding Club, 2007
Museum of Arts and Design, New York City; high-tenacity polyester fiber and lighting;
25 × 20 ft. × variable height 

Line Drawing, 2006
Poe Parking Garage, Tampa, FL; knotted and braided high-tenacity polyester, metal halide lighting with dichroic filters, and railway tunnel; 408 × 33 × 56 ft.

She Changes, 2005
Cidade Salvador Plaza, Porto, Portugal; knotted and braided PTFE (polytetrafluoroethylene), hand-spliced braided polyester, painted galvanized steel, concrete foundations, sculpted earth planted with grass, embedded white lights suspended over a three-lane highway roundabout, and sky; 485 × 406 × 160 ft.

Target Swooping V, 2004
Rotterdam waterfront, between the cruise terminal and the port; hand-knotted high-tenacity nylon lace and steel pylon; 130 × 45 × 60 ft.

Target Swooping IV, 2002
Bass Museum of Art, Miami Beach, FL; hand-knotted high-tenacity nylon lace and courtyard;
120 × 120 × 65 ft.

Target Swooping III, 2002
Florence Lynch Gallery, New York City; hand-knotted high-tenacity nylon lace and architecture; variable dimensions

Roadside Shrine II, 2002
Piers 88 and 90, New York City; sewn vinyl-coated polyester and concrete; 57 × 9 × 18 ft.

Target Swooping II, 2001
Casa del Cordón, Palace of the Constables of Castile, Burgos, Spain; hand-knotted high-tenacity nylon lace and historic architecture; 140 × 130 × 85 ft.

Target Swooping Down…Bullseye!, 2001
Feria de Madrid, Spain; hand-knotted high-tenacity nylon laced onto steel roof deck railing;
135 × 135 × 90 ft.

Floor Target, 2001
G.V. Trade Complex, Coimbatore, India; hand-knotted high-tenacity nylon lace and concrete floor;
100 × 100 ft. × variable height

Window Treatment with Twenty-One Tails, 2000
Florence Lynch Gallery, New York City; knitted stainless steel, sewn vinyl-coated polyester mesh, PVC armature, window frames, and courtyard; variable dimensions

Roadside Shrine I: Cone Ridge, 2000
I-45 highway overpass, Houston, TX; sewn vinyl-coated polyester, wood, and steel clamps;
57 × 9 × 18 ft.

Red Spikes on 29th Street, 2000
Florence Lynch Gallery, New York City; sewn vinyl-coated polyester mesh, PVC armature, window frames, shadows on gallery floor, and airspace over 29th Street; variable dimensions

Kyoto Project, 2000
Hōnen-in temple on the Philosopher’s Path, Japan; silk, nylon, steel, and water garden; variable dimensions

Red Peak, 1999
Art Omi, Ghent, NY; fiberglass, nylon, chiffon, steel, and landscape; 13 × 13 × 22 ft.

Green Torus with Modesty Panel, 1999
Art Omi, Ghent, NY; fiberglass, steel, nylon, chiffon, and landscape; variable dimensions

Trying to Hide with Your Tail in the Air, 1998
Open-Air Museum of the Centre of Europe Europos Parkas, Vilnius, Lithuania; hand-knotted nylon lace, steel armature and cable, and oak trees;
12 × 12 × 30 ft. 

Inside-Outside, 1998
Fogg Museum, Harvard Art Museums, Cambridge, MA; knitted stainless steel, sewn nylon, steel armature, and historic courtyard; 13 × 13 × 36 ft.

Garden of Earthly Delights, 1998
Coimbatore, India; hand-chiseled earthen bricks, hand-knotted twine, lighting, steel, and concrete foundations; 52 × 52 × 83 ft. 

Bellbottom series, 1997
Mahabalipuram, India; cast bronze, hand-knotted cotton twine, sewn mosquito netting, vintage saris, galvanized wire, and wind

More Than You Can Chew
105 × 105 × 150 in.

Playpen/Suckle Bell Buckle
65 × 65 × 60 in.

Red Hot Dripping
11 × 11 × 65 in.

Till It Wilted I Wore It
52 × 52 × 95 in.

Wide Hips
52 × 52 × 83 in.

Yellow Bellied Button
29 × 29 × 66 in.

Wax Gloves, 1996
Arthur M. Sackler Museum, Harvard Art Museums, Cambridge, MA; paraffin wax and architectural context; variable dimensions

Casa de Luz, 1995
Fogg Museum, Harvard Art Museums, Cambridge, MA; variable dimensions

Breastplates, 1995
Harvard Dining Hall, Cambridge, MA; cast plaster on dessert plates; variable dimensions