Bellbottom Series, Mahabalipuram, India, 1997
Description
This series of temporary structures were part of Echelman’s early work with nets during her time in India as a Fulbright Scholar. As a former painter, Echelman’s plan was to give painting exhibitions around the country, but shipped her paints to the fishing village of Mahabalipuram and they never arrived. Inspired by the local materials and culture, she began working with bronze casters in the village.
She soon found the material too heavy and expensive for her budget. While watching local fishermen bundling their nets one evening, Echelman began wondering if nets could be a new approach to sculpture: a way to create volumetric form without heavy, solid materials.
By the end of her Fulbright year, Echelman had created a series of netted sculptures in collaboration with the fishermen – the Bellbottom Series. Hoisting them onto poles, she discovered that their delicate surfaces revealed every ripple of wind.
The exhibition It was jointly sponsored by the Fulbright Scholarship Board, the American Consulate of Mumbai/Bombay, the U.S. Educational Foundation in India, and the National Institute of Design of India.
Materials and size (left to right)
All cast bronze, hand-knotted cotton twine, sewn mosquito netting, vintage saris, galvanized wire, and wind
Wide Hips
83 in. length x 52 in. width x 52 in. height
Playpen/Suckle Bell Buckle
60 in. length x 65 in. width x 65 in. height
More Than You Can Chew
50 in. width x 105 in. height x 105 in. depth
Red Hot
65 in. length x 11 in. height x 11 in. width
Till It Wilted I Wore It
95 in. length x 52 in. width x 52 in. height
Credits
Art: Janet Echelman
Made possible by the Fulbright Scholarship Board, the American Consulate of Mumbai/Bombay, the U.S. Educational Foundation in India, and the National Institute of Design of India.
Location
Pallava Shore Temple, Mahabalipuram, India
